Meg Snieder
Meg Snieder
Stage Manager
Meg acquired her taste for the arts after prolonged exposure to a creative family and has had over 10 years of theatre experience as a result.
Biography
Meg spent her teenage years performing in school productions and one act plays, and has had several years of experience in production roles supporting shows at Beenleigh Theatre Group, Phoenix Ensemble, Footlights Theatrical and Villanova Players as a sound operator, lighting operator, technical and production assistant before assistant directing Ad Astra’s the inaugural production of Female of the Species.
Ad Astra Plays
Upcoming Plays
Past Plays
Other Plays
2012 – Into the Woods Jnr, Beenleigh Theatre Group, Crew – Sound (SFX) Operator
2013 – Billy Bucket (Theatre), Beenleigh Theatre Group, Crew – Sound (SFX) Operator
2015 – Taming of the Shrew (Theatre), Phoenix Ensemble, Crew – Lighting Operator
2015 – Snapshots from Home (Theatre), Kelvin Grove SHS, Actor – Multiple
2017 – Much Ado About Nothing, Villanova Players, Crew – Sound Operator
2018 – Billy Bucket (Theatre), Footlights Theatrical, Crew – Sound (SFX) Operator
2018 – Female of the Species (Theatre), Ad Astra, Crew – Stage Manager/Assistant Director
2019 – The Crucible (Theatre), Beenleigh Theatre Group, Actor – Susanna Walcott
Representation
Freelance
Reviews
“As usual Ad Astra have tackled a difficult piece that deserves to be revived on stage. It’s always a collaboration, and stage craftspeople also deserve mention for their input: Meg-Louise Snieder is Assistant Director.”
Beth Keehn - Stage Whispers | Read full review
“With direction by Roslyn Johnson this production captivates the audience and intrigues them at every turn. With the added challenge of such an intimate theatre (with the audience less than 1m away from the actors) Johson took this in her stride utilising the audience’s viewpoints at every opportunity. Assisted by Meg-Louise Snieder, it is evident that Johnson and Snieder took care in every blocking and movement choice. On occasion the blocking felt a bit forced, however, as the production continues it is sure to become more natural for the actors.”
Jake Goodall | Read full review