Caitlin Hill
Caitlin Hill
Actor
Caitlin is an actor and an emerging writer/director/dramaturg based in Kulpurum (Coorparoo).
Biography
Caitlin’s directing + co-directing work includes, for theatre: award-winning Fringe comedy show, 'Boys Taste Better With Nutella' (with Peter Wood); ‘The Wives of Wolfgang’ (with Hannah Belanszky and Paige Poulier); and her solo-directorial debut: ‘Proof’; for short film: ‘Reservation’ (with Zoe Fishpool), ‘El Sol’ (with Anna Patch), and AustenXFleabag.
Caitlin comes from a dance background, performing various dance styles including Adv 1 RAD Ballet and her enthusiasm for local theatre start early as the granddaughter of two of the co-founders of Phoenix Ensemble (Glynis and Ray).
Caitlin receives mentorship from writer and director, Clare Sladden and studies Writing at The University of Queensland. She received an Advanced Diploma of Arts (Acting) in 2014 at Brisbane TAFE.
Ad Astra Plays
Upcoming Plays
Past Plays
Reviews
Direction by Caitlin Hill was captivating. Her use of the space, natural blocking, incorporation of physical activity and dance contributed to a show that was memorable, highly entertaining and gripping to watch. Her use of the space was non-conventional and lent itself perfectly to the play. It is evident that Hill is not afraid to push creative boundaries and struck the right balance between realism and stylised movement to create a production that was exceptionally directed.
Overall, ‘The Wolves’ was an exceptional production. Starting with a script that was quietly clever and subtly moving, combined with the creative and powerful directing of Caitlin Hill and then brought together by an exceptional cast. There is not a negative comment to be made about ‘The Wolves’. It is as close to perfect as a piece of live theatre can get.
Yasmin Elahi - Queensland Stage Critics | Read Full Review Here
“Any overacting or upstaging would have ruined this multi-layered and nuanced story, but director, Caitlin Hill, has shown her skill in deftly balancing all the parts so that everyone achieves their comic moment while contributing to the overall drama as the pieces of the girls’ stories come together.”
Beth Keehn - Stage Whispers | Read Full Review Here
In Director Caitlin Hill’s beautifully written foreword, Hill touches on the #MeToo movement and the ongoing inequality in the STEM industry. It is a wonderful take on this play and really helps to bring its relevance into the modern day. Hill’s direction is impeccable and it’s hard to notice that this is Hill’s first time directing plays, as Hill’s work is perfect. The blocking felt natural throughout the entire piece and it is clear that Hill has intelligently thought about every single aspect of this production creating a uniquely positioned performance.
Jake Goodall - Theatre Haus | Read more
First-time director Caitlin Hill gives David Auburn’s 20-year old award-winning play Proof a radiant remake with a cast sent from heaven. The play is fast-paced, with snappy Chicago dialogue which Caitlin Hill has managed to capture to a tee (with vocal coach, Marcus Oborn). Caitlin has done a fabulous job of keeping the necessary pace for this quick two-act piece, eliciting wonderful performances from her cast.
Beth Keehn - Stage Whispers | Read more
Caitlin Hill’s directorial debut of “Proof” is one of obvious intelligence, but also a compassion that transcends the work’s complex plot to an emotional audience connection. She maintains the seeming simplicity of the well-written work through use of a single set, yet also leans into the craftedness of its exploration of the nature of genius (and its vicinity to madness), with touch on bigger issues such as male chauvinism and the continuing gender inequality and lack of opportunities for women of colour in STEM. The result is a multi-layered, fascinating and often quite beautiful piece of light and shade as its heavy topics around the effects of mental health struggles are tempered by moments of laughter, often from Hal’s awkwardness and between-sister banter. The resulting combination of on-point performances from a stellar cast and considered creative aspects makes for a dynamic, intelligent piece of theatre to both provoke and entertain Brisbane audiences who have not seen this work on stage in many years.
Meredith Walker - Blue Curtains | Read more
The production is also supported by a simple but effective set design that lets the performers take centre stage, plus spot-on costumes, make-up and backstage work by Caitlin Hill and Cale Dennis, neat lighting by B’Elanna Hill, and a perfect handpicked musical backdrop.
Beth Keehn - Stage Whispers | Read full review
Costuming by Caitlin Hill emphasised aspects of the characters’ identities and recurred in interesting ways throughout the play, as well as showcasing the fashion of the American 80s.
Lilian Harrington - Absolute Theatre | Read full review
As Maureen, Caitlin Hill also spoke quite quickly but this was clearly a conscious decision that was consistent with the neurotic traits the character embodied. In a cast of oddballs, she was easily the oddest ball. Even so, Hill was also given the chance to show off her dramatic chops, and arguably displayed the most range of the entire cast.
Liam Hartley - TheatreHaus | Read full review
The standout, however, is Hill as the flighty Maureen. Her performance is a force of nature, perfectly pitched to endear an unconventional and quirky character who could so easily have been overplayed to obnoxiousness. There is light and shade within her performance too, evident particularly through quieter moments in almost romantic conversation with TJ.
Meredith Walker - Blue Curtains | Read full review
Caitlin Hill brought balance to the trio with her grounded portrayal of Maureen.
Backstreet Brisbane | Read full review
“Caitlin Hill is delightfully daffy as Knoll’s niece, Maureen, co-opted to work in the pawn shop, but secretly dreaming of getting back to Paris where she felt happiest. It’s a balanced performance that teeters on absurd comedy but remains grounded. Once again, totally engaging, and a believable potential love interest for TJ, without the usual sit-com cliches. It’s a wonderful script when it comes to romance too.”
Beth Keehn - Stage Whispers | Read full review
‘Hill’s tender portrayal of Nina, Henning's therapist, helped create a world in which we feel extreme sympathy for his character. Contrast this honest performance with her hilarious interpretation of Miss Beverley and Hill cemented herself as an incredibly valuable member of the cast..’
Marita Bellas Miles - Theatre Travels | Read full review’
In his confusion and frustration over his state of mind, he receives professional help from therapist Nina, (played by the talented Caitlin Hill)
Lilian Harrington - Absolute Theatre Read full review
Toy Symphony by Michael Gow is expertly constructed by the cast at Ad Astra’. ‘Hill leads the first half of the performance as his therapist, expertly guiding the troubled writer back to his childhood.’
Michael James - QNews | Read full review
‘A display of Astra-nomical talent. The performance is enthralling owing to its animated and dynamic reel of highly relatable characters. Each of the cast members demonstrates an impressive range, employing dramatic tension and impeccable comedic timing.’
Jessica Forbes - My Village News | June edition
Caitlin Hill was soft-spoken and grounded as Nina the psychologist.
intimacy. Ad Astra’s latest, an adaptation of Michael Gow’s 2007 play ‘Toy Symphony’, is no exception with strong performances, subtle yet effective direction and clever design elements – this is not a play to miss.
Oliver Hetherington-Page | Read full review
Caitlin Hill and Bernadette Pryde both shone in their supporting roles as his therapist and childhood English teacher, respectively. The experience of the actors meant the performances, even when they did go big, were grounded in authenticity and truth.
Backstreet Brisbane Read full review
Caitlin Hill joyfully displays her versatility as Nina the Psychologist, Julie the primary student and Miss Beverley, the student fantasy teacher.
Beth Keehn - Stage Whispers | Read full review
Indeed, Act One is textured with a colorful set of characters, which the ensemble cast bring to glorious life. Hill, in particular, is excellent as both capable therapist Nina and an excitable Year 5 student.
Meredith Walker - Blue Curtains Read full review
Other Theatre/Animated TV and Film
2023 - A Life in the Theatre - Creative - Assistant Director
2022 – The Normal Heart – Creative – Assistant Director
2022 – Why Young Men Run At 2AM – Actor – Maureen
2022 – Brilliant Traces – Creative – Assistant Director
2022 – Long Black (Short Film) – Actor – Assistant
2022 – Orphans – Wild Theatre – Actor – Helen
2021 - The Lost Tales Interactive - Maria
2021 - Maude & Gordon at the End of the World (Short Film), Actor - Maude
2020 - Bluey (Animated TV), Ludo Studios, Voice - Alfie’s
2019 - Boys Taste Better With Nutella (Fringe Show), Actor - Aggy
2018 - Two Weeks (Web Series), Actor - Laura
2019 - Love and Information (Robert The Cat Theatre & Metro Arts)
2019 - Kill Climate Deniers (That Production Company & Metro Arts)
2017 - Macbeth (Share House Theatre Co)
2017 - The Maids (Mad Women On The Shore)
2017 - Romeo & Juliet (Share House Theatre Co)
2017 - Player 2 (Backyard Theatre Collective)
2016 - Hanako (Belloo Creative & Brisbane Festival & Brisbane Powerhouse)
2016 - The Wives of Wolfgang (Hannah Belanszky & Kristen Maloney)
Training
2023 – Advanced Auditioning for the Screen – Tom McSweeney
2023 – Standard US Accent Intensive – Gabrielle Rogers
2022 – Audition Technique, Script Analysis, Comedy, Chemistry & Intimacy – Kristy Sexton
2022 - 101-104 - Kristina Sexton
2022 - Advanced Auditioning for the Screen - Tom McSweeney
2022 - Voice, Marcus Oborn
2018 - Royal Academy of Dramatic Arts, Meisner, John Beschizza
2018 - Royal Academy of Dramatic Arts, Stanislavsky, Zoë Waites
2018 - Peter Rasmussen, Uta Hagen
2018 - 16th Street Acting Studio, Masterclass Participant, Larry Moss
2014 - Southbank Institute of Technology, Advanced Diploma of Arts (Acting)
Brisbane TAFE) in 2014 with an Advanced Diploma of Arts (Acting).
Representation
Natalie Hall Artist Management
Awards
2020 Weekly Best Emerging Artist Award (Boys Taste Better With Nutella), Adelaide Fringe Festival
2019 Weekly Theatre Award Winner (Boys Taste Better With Nutella), Fringe World Perth
2019 Peoples Choice Award Nomination (Boys Taste Better With Nutella), Melbourne Fringe Festival
2018 The Undoing of Kate Burchell: entry to 71st Cannes Film Festival
2017 Double: entry to 70th Annual Cannes Film Festival
2016 Best Actor, Short+Sweet 2016, Boys Taste Better With Nutella
2016 Most Outstanding Performance Female, Griffith Film School Awards Night, Double
2013 Best Actress in a Drama: Caitlin Hill, In Room Five Hundred and Four (Redfest, Ipswich, Brisbane One-Act and Drama Festivals)
Awards
Caitlin Hill is nominated for a Matilda in the 2023 awards. Her production of Proof has been nominated for a total of four awards. The most for any single production at Ad Astra to 2023.
Nominated - Billie Brown award for Best Emerging Artist Caitlin Hill - Direction, Proof (Ad Astra)